Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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Jeff Beck, know as a "guitarist's guitarist," had contracted bacterial meningitis. Beck first came to prominence playing in The Yardbirds, where he replaced Eric Clapton.
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Nearly half of the Philadelphia-based pianist's recorded work had gone unheard for decades, until now.
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There was an avalanche of reissues and vault rediscoveries, across all genres and all eras. Each promises edification, but also flat-out thrilling listening.
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Wolman was the gifted eye behind countless iconic photographs of legendary artists, including Jimi Hendrix, the Grateful Dead, Miles Davis and Johnny Cash, and the tumult of the first Woodstock.
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Dylan's latest single, "False Prophet," sits in the same tempo and key as Billy "The Kid" Emerson's 1954 B-side, "If Lovin' Is Believing."
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Brothers Brian and Roger Eno have spent decades making music separately, but Mixing Colours is their first release as a duo. Tom Moon writes that its ambient calm offers sanctuary for these times.
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Kassa Overall calls himself a "backpack jazz producer": a combination of jazz musician, rapper and bedroom producer. His latest album captures the evolving sound of hip-hop/jazz fusion.
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Kevin Parker's fourth album as the leader of Australian rock band Tame Impala comes after a five-year gap. It's music that comes wrapped in its own bubble, far from the cascading miseries on the news.
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Piano prodigy Joey Alexander is a fixture of the jazz world at the age of 16 and his new album shows how his sound has matured and grown into graceful original compositions.
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Beloved, but gone — when it comes to our favorite artists, the assumption is that more is always better. But what effect do these patchworked releases have on their legacies?