
Fresh Air
Monday-Friday at 12 noon on WPSU-FM
Fresh Air with Terry Gross, the Peabody Award-winning interview show, focuses on contemporary arts and issues. It's one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 NPR stations across the country, as well as in Europe on the World Radio Network.
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A single nuclear warhead, of unknown origin, is heading toward the U.S. mainland in Kathryn Bigelow's new Netflix film. It's an unnerving scenario — but it's also thrilling to watch.
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Roberts plays a Yale professor whose life unravels after one of her colleagues is accused of sexually assaulting a student. After the Hunt is an academic potboiler that muddles its central issue.
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The Grammy Award-winning singer and musician had rigorous classical training. Now she's making music that crosses genres: "I've been inspired by Golden Age films, the va-va-voom of it all," she says.
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This is an epic novel to be savored. At nearly 700 pages, this multi-character, multi-stranded story explores exile and displacement — not only from one's home, but also from one's own sense of self.
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The former WWE wrestler considered pursuing a career in mixed martial arts before realizing, "I don't like getting punched in the face." Johnson plays MMA fighter Mark Kerr in a new film.
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Ronson's memoir, Night People, is a love letter to late-night 1990s New York City. Ronson would go on to produce music for Bruno Mars, Lady Gaga and other pop superstars.
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For the first seven years of her life, Alonzo lived in an abandoned diner in a south Texas border town. Her new Netflix stand-up special is called Upper Classy.
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A new Netflix show by the creator of Peaky Blinders fictionalizes the battle for control of the venerable Irish brewing company. Family drama comes to a foamy head in this eight-part series.
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Paul Thomas Anderson's action thriller starring Leonardo DiCaprio is a loose adaptation of Thomas Pynchon's Vineland. It weaves zany dark comedy, sociopolitical satire and controlled narrative chaos.
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Kogonada's film about lonely strangers traveling together in a car with a magical GPS wants to engage in heady conceits. But not even Colin Farrell and Margot Robbie can save a script this hopeless.