Tom Cole

Tom Cole is a senior editor on NPR's Arts Desk. He develops, edits, produces, and reports on stories about art, culture, music, film, and theater for NPR's news magazines Morning Edition, Weekend Edition, and All Things Considered. Cole has held these responsibilities since February 1990.

Prior to his work with the Arts Desk, Cole worked for three and a half years as an associate producer for NPR's daily classical music program Performance Today, and also for Morning Edition, where he coordinated, edited, and produced arts and culture stories.

From April 1979 to July 1986, Cole worked for NPR Member station WAMU-FM in Washington, DC. He was the production manager for the daily operation of studios, and also served as a reporter, writing and producing music features that were broadcast locally and nationally. In addition, from October 1985 to November 1986, Cole worked for Voice of America as a producer for VOA Europe.

Since 1977, Cole has been the host and producer of a weekly three-hour program of music and interviews broadcast on public radio station WPFW-FM in Washington.

Over the course of his career, Cole has produced or collaborated on a number of public radio projects. He co-edited the Peabody Award-winning NPR documentary, "I Must Keep Fightin': The Art of Paul Robeson." He was also an advisor, contributor, and co-editor of the Peabody Award-winning series, "The NPR 100," the top 100 songs of the 20th century.

A native of Washington, DC, Cole has studied classical guitar at The American University and privately. He also studied comparative literature at Catholic University in Washington, DC, and at Grinnell College in Grinnell, Iowa.

Updated at 10:07 p.m. EDT

On Tuesday afternoon, at 5:07 p.m., Metropolitan Opera general manager Peter Gelb sent an email to staff that began this way:

"Dear Members of the Company,

Plácido Domingo has agreed to withdraw from all future performances at the Met, with immediate effect. We are grateful to him for recognizing that he needed to step down."

For the past year, NPR has been taking a deep look at American anthems and all the forms they can take. These are the songs that unite us, inspire us or say something about what it means to be an American — songs as traditional as Woody Guthrie's "This Land is Your Land," or as defiant as Public Enemy's "Fight the Power."

The City of Chicago on Thursday filed a civil complaint against actor Jussie Smollett trying to recoup the cost of his complaint to police that he'd been the subject of a racist and homophobic attack.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

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Updated at 2:50 p.m. ET Friday

Classical guitarist John Williams reached millions of ears and even hit the charts when he played the main theme to the Oscar-winning 1978 film The Deer Hunter. But by then, Williams was already a classical star on a major record label who'd toured the world many times over.

He released his latest album, On The Wing, earlier this year. And although he announced a retirement from touring a few years ago, he's now 76 and still plays every day.

"But I love doing it so it's not a problem," he says.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

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After four chords, the notes start to fly — Danilo Brito and his four collaborators, three Brazilians and one American, are off like jackrabbits in front of a hound, having hustled their instruments to the Tiny Desk at the end of a North American tour.

Brito a 32-year-old mandolin player, made his first record when he was a teenager, plays a type of music called choro (pronounced "shore-oo").

Ralph Towner first came to the attention of a wide audience nearly 50 years ago as a member of the Paul Winter Consort, for whom he composed the group's most famous tune, "Icarus." The piece was so beloved, the Apollo 15 astronauts took the record to the moon — and named a crater after it.

Mention Austria and music in the same phrase and some people will think Haydn and Mozart. Others will think of The Sound of Music, with its singing Von Trapp family. In recent years, another musician has been added to this list: Wolfgang Muthspiel, one of the most respected jazz guitarists playing today.

You probably shouldn't be reading this — just listen to Derek Gripper play and watch his fingers work. You can see and hear his classical training from his first notes behind the Tiny Desk.

Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Derek Gripper was a musician with a problem. He'd been playing classical music since he was 6 years old — violin, then piano and finally guitar. He was poised for an international career as a classical guitarist. But he remembers going to the homeland of one of his favorite composers, Johann Sebastian Bach.

"It felt kind of strange," he says. "It felt strange to be in Germany playing Bach to them."

Jean-Baptiste "Toots" Thielemans, the Belgian-American musician who cut a singular path as a jazz harmonica player, died in his sleep Monday in his hometown of Brussels. He was 94.

Musician and composer Frank Zappa was a lot of things: biting satirist, ferocious critic of societal norms, outspoken defender of free speech. He saw himself as not only an entertainer, but also a serious composer. And he saw no contradiction in being all of these things at once, to the consternation and confusion of the many journalists who interviewed him.

Watching a Terence Davies film is like watching paintings come to life. On the other hand, the filmmaker jokes, "The people who don't like my films say it's about as interesting as paint drying."

Still, Davies (pronounced "Davis") has plenty of defenders. More than one critic has called him Britain's greatest living film director, and French filmmaker Jean-Luc Godard — who was famously not a fan of British moviemakers — called Davies' 1988 full-length feature breakout, Distant Voices, Still Lives, "magnificent".

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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Jazz guitarist John Scofield has had a pretty remarkable career. Without even finishing music school, he found himself on the Carnegie Hall stage playing with jazz legends Chet Baker and Gerry Mulligan. Then it was on to Miles Davis, his own successful jazz-funk fusion groups, and even greater exposure playing with jam bands.

"I consider the guitar as this sort of multi-faceted instrument," says Janet Feder, "that can make and do all of these other things."

Chime like a bell, or gong, buzz like a locust, or rattle and hum.

Guitarist and composer John Scofield's 2015 album is called Past Present. And that's what it is: four jazz musicians very much in the moment, looking back at events that informed the music they're playing—and listening back to a sound three of them created some 20 years ago.

Bert Jansch's approach to a traditional folk song is on full display in this recording of "Blackwaterside," made during a show at London's 12 Bar and originally released in 1995. It's an approach the Scottish singer-guitarist developed in the early 1960s; one that was more about evoking the mood and feel of a song than a slavish devotion to historical interpretation.

It seemed as if he'd go on forever — and B.B. King was working right up until the end. It's what he loved to do: playing music, and fishing. Even late in life, living with diabetes, he spent about half the year on the road. King died Thursday night at home in Las Vegas. He was 89 years old.

Pat Dowell, a freelance film reporter for NPR, died on Sunday. Dowell had been dealing with health issues for some time, but her death came as a surprise. She was 66 years old.

Pat was a freelancer for us for close to 30 years. Before that, she was a film critic for a number of publications and first appeared on our air in that capacity in 1974, when she talked to then-All Things Considered host Susan Stamberg about the TV series Rhoda and feminism.

Guitarist and composer John Renbourn co-founded the group Pentangle and went on to become revered by guitarists around the world. Renbourn was found dead of an apparent heart attack at his home in Scotland on Thursday, after failing to show up for a concert. He was 70 years old.