Laura Snapes
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Katie Crutchfield's gorgeous sixth album affirms that real lives are lived not in clear chapters, but as a zig-zag of pitfalls and revelations one can only hope to learn from.
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The pop singer has superstar ambition and a knack for clever genre collisions. But while her new album sometimes matches intensity with innovation, it more often grinds her nuanced story to a paste.
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As a kid discovering music, you assemble a hodgepodge of other people's opinions. But there's a lot of joy to be found when the urge to agree with the critics melts away, writes critic Laura Snapes.
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Perfume Genius' Mike Hadreas invited the reclusive Canadian auteur to perform at Le Guess Who? last year. The pair met for the first time backstage and shared insights on creating and performing.
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M.C. Taylor has a rueful, weary reediness that makes the tensions in his songs pull that much harder. In a beautiful outtake from Heart Like A Levee, dreaming and reality are at odds.
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The 16-minute track manages to be concise and lean, almost speeding on an empty tank through a tireless groove that solders dusty Ohio punk to krautrock's soothing repetitions.
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Ever since Boxer, the band's pledged to release a record channeling the cataclysmic energy of its concerts. With the first single from Sleep Well Beast, it's finally come through.
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Inspired by its time at an experimental Berlin festival, this single offers a cool, cryptic introduction to the Bristol-Paris folk band's kaleidoscopic new phase.
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After more than a decade on the road, the prolific punk singer (of Swearin' and p.s. eliot fame) releases her solo debut in a bold attempt to unhitch love from nostalgia.
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Fussell's cover of the Jimmy Lee Williams song marks a move into more existential territory: The maturing artist is now less a force of nature than someone keen to sync with its rhythms.