
Jewly Hight
[Copyright 2024 NPR]
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Country music's race problem became a hot topic in early February, but the roots of racial injustice in the industry go much deeper. Two Nashville writers unpack the history and recent responses.
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This fall, the bluegrass supergroup Sister Sadie became the first all-female band ever to win the top prize at the International Bluegrass Music Association awards.
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Charley Pride was a symbol, ancestor and influence. But the country singer was also a master interpreter of song, his warm baritone attuned to deep emotion.
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Blade, based in Nashville, has parlayed a youth of solitude into an artistic practice based inspired by video game soundtracks and visions of a dark, silver-lined future.
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After his older brother helped The BlackSon get his artistic career underway, the pair now find themselves living in a new "city."
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McBride has channeled her performing abilities, affably clever personality and college-level industry studies into her own version of artistic and professional equilibrium in Music City.
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The pair have found and are maintaining a place for themselves in the professional songwriting world of Nashville.
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Rap from Nashville isn't new, nor is the city's tendency to overlook the creators and entrepreneurs behind that music – despite country artists borrowing liberally from the genre over the past decade.
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Bandleader Raul Malo and guitarist Eddie Perez both claim Latin American heritage, but their roots music-driven band had never ventured into creating an entirely Spanish album until now.
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The two country-leaning singer-songwriters on their time in Nashville, addressing the darkness of life while staying in the light and the difficulties of thinking forward in the South.