Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.

Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.

Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.

An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."

ArcLight Cinemas and Pacific Theaters said late Monday they are ceasing operations, closing all of their roughly 300 screens mostly found in California.

None has inspired more distress among Hollywood notables than the Cinerama Dome on Hollywood's Sunset Boulevard.

"After shutting our doors more than a year ago," the company said in a statement, "today we must share the difficult and sad news that Pacific will not be reopening its ArcLight Cinemas and Pacific Theaters locations."

It's Capetown, 1981. A family gathers for what looks like a back-slapping birthday party — but is actually a farewell.

In the South African drama Moffie, Nicholas, a teenager who's as subdued as his relatives are raucous, will head off in the morning for military service that's compulsory for boys between 16 and 20. White boys that is. This being the era of apartheid, brutal segregation, and white minority rule, his basic training will prove anything-but-basic.

The pandemic has had most of Hollywood cowering for the last year or so, but nothing intimidates a Titan.

Crashing in where even Marvel's Black Widow fears to tread, Godzilla vs. Kong is opening on any screen that'll make room for it — home or cinematic. And with theaters coming back to life in Los Angeles and New York City, there's a lot of fresh real estate for them to trample.

It's been just over a year since anyone has seen a "live" Broadway musical – but ever since I got hold of a lovingly crafted new-slash-old cast-album recording, I've been thinking about a show once left for dead.

Not to put too fine a point on it, but in April of 1964, Anyone Can Whistle was a flop. It came into Manhattan with a great pedigree, headed by two movie stars making their musical debuts — Angela Lansbury and Lee Remick, each an Oscar nominee just a year earlier for Manchurian Candidate and Days of Wine and Roses, respectively.

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Every aspiring writer should be as lucky as Joanna Rakoff. She was able to turn the story of her first job into a memoir. Now that memoir has been turned into a movie. Bob Mondello has our review of "My Salinger Year."

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That report was produced by NPR senior arts editor Tom Cole, which we would not normally mention, except Tom is retiring this week after 33 years at NPR. Congratulations, Tom. Our critic Bob Mondello has thoughts.

It's 8:45 a.m. on a weekday in Washington, D.C., and if anyone needs a reminder why the coronavirus vaccine is important, there's one arriving at the Takoma Metro stop: an almost empty train pulling up to an almost empty subway platform at the height of rush hour.

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Hollywood's had a complicated year, and that has made looking ahead complicated, too. NPR's Bob Mondello usually does a year-end movie preview for Thanksgiving weekend. This year, he's expanding his focus a bit.

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Vote counts are stressing out a lot of people, including critic Bob Mondello, who says he's distracting himself from election-related counting with cinematic counting.

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Jeff Bridges announced Monday night that he has a possibly life-threatening illness. He broke the news on Twitter with a reference to the iconically laid-back character with whom he's long been identified.

"As the Dude would say..New S**T has come to light," the 70-year-old actor tweeted. "I have been diagnosed with Lymphoma. Although it is a serious disease, I feel fortunate that I have a great team of doctors and the prognosis is good."

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On the Beach, the 1959 film version of Nevil Shute's cataclysmic bestseller, kicks into gear with a newscast designed to transport 1950s movie audiences from the nuclear age into a post-nuclear age:

"Scientists disagree as to when radiation will reach Australia," intones the newscaster. "The atomic war has ended. But the prime minister reports no proof of survival of human life anywhere except here."

When Warner Brothers pulled Christopher Nolan's $200-million thriller, Tenet, from its release schedule earlier this week, industry analysts expected a domino effect, and Disney announced this afternoon that the first 17 dominos have fallen.

The Mouse House's live-action remake of Mulan, the last big-budget Hollywood blockbuster scheduled for August, is now "unset," on the company's release schedule.

And the studio has pushed back or cancelled the release of another 16 Disney and Fox films, in a ripple-effect that will affect movie releases for years.

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The blockbuster that Hollywood was counting on to jump-start a COVID-19 delayed summer movie season won't be busting blocks anytime soon. Christopher Nolan's sci-fi thriller Tenet, originally announced for a July 17 opening, and pushed back twice, has now been removed from the Warner Bros release calendar, in a major blow to film exhibitors.

"We will share a new 2020 release date imminently for Tenet, Christopher Nolan's wholly original and mind-blowing feature," said Warner Bros. chairman Toby Emmerich in a statement.

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Missing the magic of seeing a movie in the theater with a crowd - hardly the most pressing problem right now. Big-screen viewing is not an essential activity, not even for critic Bob Mondello, though he does miss it.

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It's been a decade since celebrity pals Steve Coogan and Rob Brydon had their dueling impressions of Michael Caine go viral in the movie "The Trip."

(SOUNDBITE OF FILM, "THE TRIP")

For the first time in more than a month, a handful of U.S. movie theaters is screening films for the public. It's a toe-dip, not a dive. Santikos Entertainment in San Antonio opened three of its nine Texas cineplexes with masks and social distancing protocols in place this past Saturday. Two days later, EVO Entertainment did the same with two of its Texas theaters.

It's a long way to liftoff — there's not even a studio attached yet — but the latest news about Tom Cruise is not just a Hollywood rumor. The film industry website Deadline reports that the Top Gun and Mission Impossible star is in preliminary talks with both NASA and with Elon Musk's Space X to film a feature-length action-adventure in orbit.

Sequestering is getting old, right? And so are reruns of every sitcom you've ever watched. Maybe it's time to face the music ... and dance, with Fred Astaire and Ginger Rogers.

They danced America through the Great Depression. No reason they can't dance us through this — he, suave and ever on the make; she, lovely and feisty when she feels she's been crossed. He's forever crossing her.

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