DaCosta has directed blockbusters like Candyman and The Marvels. Her latest is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler, recasting the main character as a queer, mixed-race Black woman.

An unemployed cabinet maker robs the local art museum — then finds himself plunged into a world of cops and gangsters and life on the run. The Mastermind is a sad movie that gets stronger as it goes.

Crowe was just 15 years old when he became a music journalist in 1973. He had to talk his mom into letting him go on the road with bands. He chronicles his adventures in his new memoir, The Uncool.

Iranian director Jafar Panahi has been arrested repeatedly in his home country. His shockingly funny new revenge thriller was informed by the stories of people he met in prison.

Del Toro's new Frankenstein adaption reimagines Mary Shelley's 1818 Gothic novel. Frankenstein was like a tech bro: "creating something without considering the consequences," he explains.

In 2014, Malala Yousafzai became the youngest person to win a Nobel Prize, an honor that weighed on her when she went off to college. In Finding My Way, she writes about her life at Oxford and beyond.

Rebecca dominates du Maurier's legacy, but she wrote plenty of other macabre novels and short stories. A collection called After Midnight gathers 13 of these tales, with an intro by Stephen King.

NoiseCat is the son of an Indigenous Canadian father and white mother. After a cultural genocide, he says, living your life becomes an existential question. His new memoir is We Survived the Night.

A single nuclear warhead, of unknown origin, is heading toward the U.S. mainland in Kathryn Bigelow's new Netflix film. It's an unnerving scenario — but it's also thrilling to watch.

Roberts plays a Yale professor whose life unravels after one of her colleagues is accused of sexually assaulting a student. After the Hunt is an academic potboiler that muddles its central issue.