Fresh Air

On July 20, 1969, an estimated 530 million people watched on live television as Apollo 11 commander Neil Armstrong became the first human to step upon the surface of the moon. Nearly 50 years later, Academy Award-winning director Damien Chazelle revisits Armstrong's "giant leap for mankind" — but with a more intimate lens. First Man, starring Ryan Gosling, focuses on the personal sacrifices behind Armstrong's monumental step.

Everyone is familiar with the official film genres, like the Western or the romantic comedy. But most of us divide movies into less intellectual categories.

There are movies that everybody has to see, like A Star is Born. There are movies you couldn't pay me to see; in my case, that's anything with the word "Saw" in its title. And then there are movies we know we ought to see but dread having to go.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Last week, Facebook announced the most serious security breach in its history, in which unknown hackers were able to log onto the accounts of nearly 50 million Facebook users.

Sarah Smarsh is a daughter of the white working class. Born in rural Kansas, Smarsh traces her lineage back through five generations of family farmers. She also traces herself back through generations of teenage pregnancies; Smarsh's mother was just 17 when she had her.

Writer and director Tamara Jenkins was in her early 40s and struggling with infertility when she and her husband began what she calls a "by any means necessary" campaign to have a child.

It was an emotionally draining time. They looked into international adoption and also began in vitro fertilization treatment. A friend in whom Jenkins confided encouraged her to write about her experiences, but Jenkins demurred.

"I was horrified and just repulsed," she says. "I would never write about this stuff."

These are highly charged times for politics reporters. Just ask Greg Miller, the Pulitzer Prize-winning Washington Post journalist who has broken a number of stories related to the Trump administration's ties to Russia.

Miller says that he's been "trolled a lot" because of his work. But after revealing that then-national security adviser Michael Flynn had discussed U.S. sanctions with Russian officials prior to Trump's inauguration, Miller experienced something new: notes from grateful readers.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

'In The Moment, You Just Fly': Jon Batiste Lets Loose At The Piano: Batiste, the band leader for The Late Show with Stephen Colbert, sits at the piano and demonstrates his "everything in the pot" style of playing.

Music came naturally to Jon Batiste, the leader of Stay Human, the house band for The Late Show with Stephen Colbert. Growing up outside of New Orleans as part of a large musical family, he says, "I picked up on all of these things that are integral to who I am as a musician without necessarily studying them."

Robbie Fulks and Linda Gail Lewis come from different generations, but both play the old style of country music — her brother is Jerry Lee Lewis. They share songs and stories from their new album, Wild! Wild! Wild!

As the son of a grand wizard of the Ku Klux Klan, Derek Black was once the heir apparent of the white nationalist movement.

Growing up, he made speeches, hosted a radio show and started the website KidsStormfront — which acted as a companion to Stormfront, the white nationalist website his father, Don Black, created.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Maggie Gyllenhaal Takes On The Power Imbalance Of Sex Work In 'The Deuce': When the creators of HBO's The Deuce approached Gyllenhaal about starring as a sex worker on the show, she accepted the role — but only if she could produce as well as act.

The title of The Sisters Brothers is both tongue-in-cheek and matter-of-fact. It's about two brothers with the last name Sisters: Eli Sisters and Charlie Sisters.

The whole movie is like that, a series of deadpan jokes wrapped in a shambling no-big-deal realism. The humor never feels arch or tacked-on; it wells up naturally from the characters and the funny, stirring, brutal story in which they find themselves.

When the creators of the HBO series The Deuce first approached Maggie Gyllenhaal about starring in the show as a sex worker, she didn't immediately say yes.

Set in New York City in the 1970s, The Deuce centers on the intersection of sex work, pornography, organized crime, the police, politicians and feminists. Gyllenhaal didn't have a problem with the role, but she did have strong feelings about how the power dynamics of sex should be portrayed.