
Oliver Wang
Oliver Wang is an culture writer, scholar, and DJ based in Los Angeles. He's the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area and a professor of sociology at CSU-Long Beach. He's the creator of the audioblog soul-sides.com and co-host of the album appreciation podcast, Heat Rocks.
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In 1972, Gaye began work on a follow-up to his classic album, What's Going On. He laid down over a dozen new tracks, but the project stalled and most of the songs were not released until now.
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This German group delivers steel drum covers of Mary J. Blige, Mobb Deep, Gang Starr and more.
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After embarking on solo projects and a three-year break, The Internet has come back together to produce an album of low-key songs of summer.
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Listening to Cut Chemist's latest album is like looking under a microscope at a drop of ocean water. The longer you examine, the more life you find.
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The first Dr. Octagon project to reunite Kool Keith with Dan the Automator in 22 years picks up right where they left off, as weird and warped as ever.
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Featuring Shannon Wise's mesmerizing wisp of a voice, The Shacks' debut album mixes R&B, dreamy indie-pop and '60s British rock in woozy sheets of reverb.
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Throughout their career together, Jones and her band gave listeners something to feel with every recording and every performance. That's still true on their final album.
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The prodigious San Antonio band's new anthology is a tempting selection of its most enduring singles, from the era that helped propel the band from Texas locals into national stardom.
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If To Pimp a Butterfly, Lamar's ornate jazz-funk experiment, played like billiard balls scattering after the break, then DAMN. wraps its focus inward: tight and layered, like a bundle of rubber bands.
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The Los Angeles band's distinct sound includes touches of Rio de Janeiro's tropicalia, Lima's cumbia, and American soul and funk.