
Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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Over a career that sprawled across six full decades, Taylor maintained an unwavering standard of expedition. And what he discovered — in an endless, boundless process — was a world unto himself.
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Both as a player and composer, Halvorson has a decade-strong reputation as one of her field's least predictable. Her latest release, Code Girl, might be her most startling move yet.
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A singer of ironclad capability, creative drive and irrepressible panache, she has emerged as the breakout new talent in a formidable jazz-vocal tradition.
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The Big Ears Festival in Knoxville always books a wide range of artists, but this year something particular was afoot.
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Blanchard's new record LIVE focuses on black art and black lives. For this Jimi Hendrix homage, he puts down the trumpet and pitch-bends the mournful melody on synth.
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We join Christian Scott aTunde Adjuah for a performance at the New Orleans Jazz Market drawn from The Centennial Trilogy — and explore his work as a bridge-builder, an ambassador and an avatar.
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We join the pianist at his loft in SoHo to talk about his upbringing in Cincinnati, late-night gigs in New York, his recovery from a coma in 2008, and his adaptation of Walt Whitman's poetry.
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In German-occupied France, guitarist Django Reinhardt (Reda Kateb) awakens to the horrors inflicted upon his people in this musically accomplished but "oversimplified, underfed and overburdened" film.
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On the first single from Old Fashioned Gal, Edmonson pines for a respite from pop-up ads and notifications, for a phone "inextricably connected to a wall."
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This episode focuses on a highlight of the saxophonist's banner year: the time he spent as artist in residence at the Detroit Jazz Festival.