
Gene Demby
Gene Demby is the co-host and correspondent for NPR's Code Switch team.
Before coming to NPR, he served as the managing editor for Huffington Post's BlackVoices following its launch. He later covered politics.
Prior to that role he spent six years in various positions at The New York Times. While working for the Times in 2007, he started a blog about race, culture, politics and media called PostBourgie, which won the 2009 Black Weblog Award for Best News/Politics Site.
Demby is an avid runner, mainly because he wants to stay alive long enough to finally see the Sixers and Eagles win championships in their respective sports. You can follow him on Twitter at @GeeDee215.
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"Ali was a black man who was not concerned with what white America thought of him."
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On our inaugural episode, we're digging into how we talk about whiteness — or, really, how we don't talk about it — and hear from some folks who say it's really important that we figure out how.
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When we don't acknowledge the role whiteness plays in how Americans vote, we're essentially agreeing to misidentify some of the most important dynamics of this election cycle.
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Beyoncé did a thing over the weekend, which means there are a million thinkpieces on the Internet today — on blackness and feminism and celebrity — for you to wade through. But start here.
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A longtime Chicago reporter, a native of the black South Side, digs into the ways segregation continues to shape the politics of her hometown, as well as her own life.
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With a pair of provocative pieces about white working-class Trump supporters, the National Review has essentially redrawn a line in the sand.
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The hit animated Disney movie is an ambitious look at racial profiling and policing. It's also evidence that these issues don't neatly lend themselves to simple animated fables.
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The hit musical recasts the Founding Fathers as people of color engaged in rap battles. But on a recent night, ticket buyers largely looked the way Broadway audiences have always looked. What gives?
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A new study by three media scholars reveals how the social protest movement spread on Twitter, with some fascinating — and sobering — findings.
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Protests around the Academy Awards' trouble with racial representation feel like a fresh, contemporary controversy, but they go back almost a half-century.