The 2018 South by Southwest Music Festival in Austin, Texas has come to an end. But before the week-long fest finished, Alt.Latinohost Felix Contreras and NPR Music hip-hop correspondent Rodney Carmichael met up at a barbecue joint in Austin to dish about their favorite performances from the week.
Editor's note: This song and its title contain explicit language.
Vince Staples possesses a particular kind of black genius so shrewd, humorous and antagonistic that it can be hard to translate his POV into confectionary pop. Thankfully, he's immune to oversimplification. Instead, the Long Beach native has spent most of his career since his 2015 Def Jam debut (Summertime '06) applying an almost experimental approach to hip-hop that has drawn acclaim, but also plenty of naysayers critical of his creative complexity.
Grandmothers never truly die. Especially not when they bear as much influence on your life as Big K.R.I.T.'s grandmother has on his. The Mississippi spitter has kept her spirit alive through his music since his breakout mixtape, K.R.I.T. Wuz Here, which he released in 2010, the same year she died.
So it only makes sense that he would bring her with him for his Tiny Desk concert.
We remember D.W. Griffith's Birth Of A Nationtoday for the lasting impact of its racist propaganda. Although it sparked a wave of national protests led by the NAACP at the time, the film's monstrous portrayal of black America persisted, shaping the specter of race relations for the remainder of the 20th century.
Rejjie Snow takes pride in being an anomaly. An Irish-born rapper with a world perspective, outspoken views and jazz-inspired beat selections, Rejjie, born Alexander Anyaegbunam, has always been an outlier.
Pioneering DJ and rapper Lovebug Starski, who helped develop the nascent form of hip-hop in the Bronx in the late '70s, died Thursday afternoon of a heart attack at his Las Vegas home, his manager has confirmed to NPR. He was 57.
There's a line in "Culture National Anthem," the surprisingly chill closer on Migos' new album Culture II, that sums up how much has changed for the group in a year's time: "Believe me when I say we create our own sound," the trio's leader Quavo croons in a melodic wisp. "I know you see it now, what they be screaming 'bout."
Apparently, betrothal isn't the only thing Jean Grae and Quelle Chris were celebrating while on vacay in Barbados last month. Little did fans know at the time — while positively reacting to the couple's tweets announcing their commitment to tie the knot — that the longtime creative and romantic partners already had a bun of sorts in the oven.
Sometimes the things we do to escape our pain end up sinking us into deeper depths. It's a cycle of desperation all too familiar to Abhi the Nomad.
"Binge and drink again, smile and pretend again / Ladies and gentlemen, welcome to rock bottom," the rapper/singer intonates on "Marbled." The song serves as a mixed metaphor of sorts, with Abhi narrating the life of a loner whose stage name is not just for show.
We're dang near a quarter-century into the new millennium and George Clinton is still out here slingin' gut buckets of funk. At this point, the good Dr. Funkenstein is more than a living institution; he's half-man, half-amazing.
When you sell 40 million records and enjoy the kind of crossover appeal Black Eyed Peas have, it usually comes at the cost of street cred. But in "Street Livin'," a dark, haunting new visual, the hip-hop group trades pop success for political commentary on the systemic ills plaguing the streets today.
The retro Cross Colours fits. The New Jack Swing sound. The In Living Color video homage. Bruno Mars has proven time and again it's his prerogative to do what he wants to do — especially when it comes to reigniting the charts with the sounds of '90s funk and R&B.
Open Mike Eagle may have released one of the most political albums of 2017, but Brick Body Kids Still Daydream is also among the most personal. It comes across best in his live performances. For only the second time during his recent tour cycle, the LA-based artist played a set aided by the live instrumentation of musicians Jordan Katz (trumpet, keys, sampler), Josh Lopez (keys, sampler) and Brandon Owens (bass) for his Tiny Desk debut.
Hip-hop's embarrassment of riches borders on the ridiculous in 2017. So what better way to end the year in which the genre become the most streamed, according to Nielsen, than flooding the market with a Friday full of new releases? A comprehensive list would also include new projects from producers such as Zaytoven and Childish Major, plus a slew of mixtapes. But there's only so much time in a day. Here are quick takes on some of the most anticipated LPs released today.
It may as well have come in all caps, the way it landed like an accusation instead of a question. It wasn't the first time I'd received a text from my mother dripping with good ole Christian guilt. The only sin greater than letting God down is allowing your parents to find out your faith walk is no longer patterned after their footsteps.
Vince Staples is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mislabeled, he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define — or fail to distinguish — the two.
Considering all the unique monikers MCs have concocted throughout the history of rap, Aminé — Adam Daniel's middle name by birth — isn't all that strange. But that hasn't kept him from becoming the hip-hop artist with the hardest-to-pronounce name of the moment. He's been called everything from anime (as in Japanese animation) to amino (as in the acid).
"We're here right now because no one ever really dies."
Coming from anyone other than the superproducer Pharrell Williams, that might've sounded like the opening incantation of some esoteric religious experience. But on Saturday night, Williams' pulpit was ComplexCon, where his genre-bending band N.E.R.D. made a surprise reveal.
Big K.R.I.T. is well-versed in the dual nature of man. His entire discography is packed with lyrics that split the difference between the carnal and the spiritual. Balanced between strip club rituals and Sunday morning salvation, the man born Justin Scott carved a space for himself among Southern rap royalty. Three years after his last proper studio release, it only makes sense that his latest effort, 4eva Is A Mighty Long Time, comes as a 22-track double album in which he thoroughly mines his personal, and artistic, dichotomy.
With those words, spoken in the opening moments of Shabazz Palaces' Tiny Desk performance, Palaceer Lazaro (aka Ishmael Butler, also of Digable Planets fame) lays the ground rules for all present to enter the group's metaphysical headspace.